CMW Critical Conclusions for…Flint Eastwood (Canadian Music Week 2015 concert review)

Wednesday night was a Lee’s Palace kind of night. The Orwells were the top bill, which meant a couple other bands were scoped out beforehand. First up was a band from Detroit called Flint Eastwood.

Flint Eastwood at Lee's Palace (copyright PeteHatesMusic / Martin Bazyl Photography)

Flint Eastwood at Lee’s Palace (copyright PeteHatesMusic / Martin Bazyl Photography)

Venue: Lee’s Palace

First Impression: The lead singer tried way too hard to pump up the static, sober crowd. Like, way too hard. However, great opening riff to kick off the music.

Stage Presence: Energetic, fun loving, lots of movement. Dressed all in black. A couple of brimmed hats for good measure.

Crowd Reaction: The singer wore down the crowd with her “pump up the crowd” tactics. Or they genuinely warmed to the band. Either way, fun was had throughout.

Flint Eastwood at Lee's Palace (copyright PeteHatesMusic / Martin Bazyl Photography)

Flint Eastwood at Lee’s Palace (copyright PeteHatesMusic / Martin Bazyl Photography)

Random Observation: This band checked a lot of multicultural and gender boxes. Almost like they formed on a TV show. Or are from a metropolitan city (they’re from Detroit).

Last Word: 7/10. Some strong songs mixed in with some that were forgettable. The lead singer had a nice set of pipes on her, which was used well in some songs, and not so well in other songs. Lots of energy and a few good hooks made this an enjoyable set.

Check out all of the photos over at our Facebook page. All photos taken by the talented Martin Bazyl.

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Flint Eastwood at Lee's Palace (copyright PeteHatesMusic / Martin Bazyl Photography)

Flint Eastwood at Lee’s Palace (copyright PeteHatesMusic / Martin Bazyl Photography)

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